Thanks! I'm glad you liked that part. That's the thing that's so important and interesting about Capra (and the thing that gets overlooked far too often): We love and remember his good characters because he sets them against such realistically dark backgrounds. Seventy-five years ago he had the problem of "How do you make the 'good guys' interesting?" solved, and yet people still talk as if it can't be done. Fascinating. :-)